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Case study

The NYX giant inflatable duck: a real inflatable, a CGI landing and a QR code

How we built a NYX campaign around a giant inflatable duck: a real inflatable on the street, a CGI film of it flown in by helicopter, and a QR code linking both.

A giant lilac duck with glossy red lips, parked on a shopping street. For NYX Professional Makeup we built a whole campaign around one object: a real inflatable duck people could walk up to, a CGI film of the same duck being flown in over the city, and a QR code that joined the two.

The real build
The real build
The CGI landing

The idea: duck lips, taken literally

The launch was a new extreme plumping lip gloss, and the packaging already spoke the language: rubber ducks, full lips and a warning to get ready for duck lips. So the hero became a giant rubber duck in NYX lilac with big red lips. It reads from across a street, it makes people smile, and it is the product promise in a single shape.

A real inflatable on the street

The duck was built as a real inflatable and set up in a busy pedestrian area, next to NYX display cubes with the gloss, so people could stand under it, take photos and see the product in the same moment. Inflatables are fast to install, light to move and impossible to miss, which is why they suit a short launch window so well.

The CGI film: flown in by helicopter

The inflatable could stand in one spot. The film could make it arrive. Our motion designers combined real street footage with a CGI duck carried in by a helicopter, swinging on its cables over the traffic as people stop to film it: real location, real light, one impossible moment. That film is the part that travels on social, far beyond the people who stood next to the real duck.

The QR code: from the street to the film

Why the real and the CGI duck work together

The inflatable gives a campaign something real: photos, crowds and people tagging the brand. The CGI version gives it reach: the duck can land in any city, in any format, without building anything else. The QR code ties them together, so the audience moves from one to the other on its own.

01CGI film

The duck flown in by helicopter, in mixed reality

02Real build

A giant inflatable on the street, next to the product

03QR code

Scan the duck, watch it land, share both

Planning an inflatable and CGI campaign

Start from one 3D model. It is the reference for building the inflatable and the asset for every CGI film, so the object on the street and the object in the film match exactly. Pick the installation site and the film shots together, put a QR code on everything physical, and have the films finished before the inflatable goes up. Our inflatable installations page covers how we design, build and film them.

Our process

From brief to every crop.

Four stages, and the expensive decisions all happen in the first two.

HOW WE WORK

The studio

Frame-level obsession.

20B+Organic views
55+Brands we’ve worked with
55Films in the library
3Cities, one team

We work with the brands whose campaigns get screenshotted — Coca-Cola, Mercedes-Benz, Meta, Puma, adidas, SKIMS — and the reason is always the same frame-level obsession: light that behaves, materials that hold up at full screen, and a cut that earns the second watch.

Brief us
Our goal

To make the films people stop for. The shot that gets screenshotted, sent and copied, for every brand that wants to be seen.

Journal

Ideas, tools & the work.

Notes from the studio on CGI, mixed reality and where the feed is going.

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Questions

Asked a lot.

What is WHY.CGI?

WHY.CGI is a CGI studio making video for brands: full CGI product films, mixed reality (FOOH) activations, 3D DOOH billboard content, AI video and UGC-style content. The team works from Copenhagen, Singapore and Los Angeles for clients including Coca-Cola, Mercedes-Benz, Meta, Puma, Maybelline, Jacquemus and SKIMS.

What is the difference between full CGI and mixed reality?

Full CGI means nothing is filmed: product, set, light and camera are all built in 3D and rendered. Mixed reality, also called FOOH, composites a CGI object into real footage so it looks like it happened on a real street. Both are built by the same team; the brief decides which one the idea needs.

Do you use AI?

Yes, deliberately and labelled. Generative AI is used for concepting, variants, volume and, on some projects, the finished film. Every film in the library carries an AI flag, and everything made without it is stamped 'no AI used'.

How long does a project take?

A single social film is typically one to three weeks from approved concept to masters. Broadcast spots, multi-market campaigns and 3D DOOH buys take longer because approvals and screen specs sit on the critical path. The expensive decisions happen in the first week, during previz.

How do we start?

Book a call from the Contact button or send a brief. We reply within one working day with questions, references and a first sense of scope.

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